English Faculty Publications
Badia Ahad |
Feeling Good: Black Nostalgia and the Art of Memory. Forthcoming from University of Illinois Press, New Black Studies Series. |
|
Difficult Subjects: Strategies for Teaching Race, Sexuality, and Gender, edited collection with Oiyan Poon, Ph.D. Stylus Press, May 2018. |
||
Freud Upside Down: African American Literature and Psychoanalytic Culture. Urbana: U of Illinois P, 2010 |
||
Suzanne Bost |
Shared Selves: Latinx Memoir and Ethical Alternatives to Humanism. University of Illinois Press, September 2019. |
|
The Routledge Companion to Latino/a Literature, co-edited with Frances Aparicio. Routledge/Taylor & Francis, September 2012. |
||
Encarnación: Illness and Body Politics in Chicana Feminist Literature, Fordham UP, 2009. |
||
Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850-2000. The University of Georgia Press, January 2003; re-released in paperback, Fall 2005. |
||
Pamela L. Caughie |
Man into Woman: A Comparative Scholarly Edition, co-editor with Sabine Meyer. Bloomsbury Academic, 2020. |
|
Virginia Woolf Writing the World, co-editor with Diana L. Swanson. Clemson UP, 2015. |
|
|
Disciplining Modernism, edited and introduced. Palgrave/Macmillan, 2009. |
||
Virginia Woolf in the Age of Mechanical Reproduction, edited. Garland Publishing, 2000.
|
||
Passing and Pedagogy: The Dynamics of Responsibility. U of Illinois Press, 1999. |
||
David E. Chinitz |
The Complete Prose of T. S. Eliot, vol. 6: The War Years, 1940–1946 (ed.). Johns Hopkins UP, 2017. |
|
T.S. Eliot and the Cultural Divide. University of Chicago Press, 2003 |
||
As Editor, A Companion to T. S. Eliot, Wiley-Blackwell, 2009. |
||
Ian Cornelius |
Reconstructing Alliterative Verse: The Pursuit of a Medieval Meter. Cambridge University Press, 2017 |
|
Jack Cragwall |
Lake Methodism: Polite Literature and Popular Religion in England, 1780-1830. The Ohio State University Press, 2013. |
|
Jeffrey Glover |
Paper Sovereigns: Anglo-Native Treaties and the Law of Nations, 1604-1664. University of Pennsylvania Press, 2014. |
|
Colonial Mediascapes: Sensory Worlds of the Early Americas. Co-edited with Matt Cohen. University of Nebraska Press, 2014. |
||
John D. Kerkering |
Racial Rhapsody: The Aesthetics of Contemporary U.S. Identity, Routledge, 2019. |
|
The Poetics of National and Racial Identity in Nineteenth-Century American Literature, 2003. |
||
James A. Knapp |
Immateriality and Early Modern English Literature: Shakespeare, Donne, Herbert (Edinburgh University Press, 2020) |
|
Shakespeare and the Power of the Face (editor) (Ashgate, 2015) |
||
Image Ethics in Shakespeare and Spenser (Palgrave, 2011) |
||
Illustrating the Past in Early Modern England: The Representation of History in Printed Books. Ashgate, 2003. |
||
Jayme Stayer |
The Complete Prose of T. S. Eliot, vol. 6: The War Years, 1940–1946 (ed.). Johns Hopkins UP, 2017. |
|
. S. Eliot, France, and the Mind of Europe. Editor. Newcastle upon Tyne, UK: Cambridge Scholars, 2015 |
||
Think About It: Critical Skills for Academic Writing. Co-author with John Mauk and Karen Mauk. Boston, MA: Wadsworth/Cengage, 2014. |
||
Virginia Lee Strain |
Legal Reform in English Renaissance Literature. Edinburgh University Press, 2018. |
|
Marta L. Werner |
The Master Hours of Emily Dickinson. Amherst College Press, forthcoming. |
|
The Gorgeous Nothings. New York: Granary Books, 2012 / New Directions, 2013. |
||
Ordinary Mysteries: The Common Journal of Nathaniel and Sophia Hawthorne, co-authored/edited with Nicholas Lawrence. Philadelphia: The American Philosophical Society, 2006. |
||
Emily Dickinson’s Open Folios: Scenes of Reading, Surfaces of Writing. Ann Arbor: University of Michigan Press, 1995. |
||
Professors Emerita and Emeritus: |
||
James Biester |
Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry. Rhetoric and Society Series. Cornell University Press, 1997. |
|
J. Brooks Bouson |
Shame and the Aging Woman: Confronting and Resisting Ageism in Contemporary Women’s Writings. Palgrave Macmillan, 2016. |
|
Embodied Shame: Uncovering Female Shame in Contemporary Women’s Writings. SUNY Press, 2009. |
||
Jamaica Kincaid: Writing Memory, Writing Back to the Mother. SUNY Press, 2005. |
||
Quiet As It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison. SUNY Press, 2000. |
||
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. University of Massachusetts Press, 1993. |
||
Micael Clarke |
Thackeray and Women. Northern Illinois University Press, 1995. |
|
Francis L. Fennell |
The Collegiate English Handbook. 5th Edition. 2002.
|
|
Suzanne Gossett |
As Editor, Francis Beaumont and John Fletcher. Philaster. Arden Early Modern Drama series. Methuen Drama, 2009. |
|
As Editor, William Shakespeare. Pericles. The Arden Shakespeare. Third Series. Bloomsbury, 2004. |
||
Paul Jay
|
Contingency Blues: The Search for Foundations in American Criticism. UW Press, 1997. |
|
Joyce Wexler |
Violence Without God: The Rhetorical Despair of Twentieth-Century Writers. Bloomsbury Academic, 2016 |
|
Who Paid for Modernism? 1998. |
Badia Ahad |
Feeling Good: Black Nostalgia and the Art of Memory. Forthcoming from University of Illinois Press, New Black Studies Series. |
|
Difficult Subjects: Strategies for Teaching Race, Sexuality, and Gender, edited collection with Oiyan Poon, Ph.D. Stylus Press, May 2018. |
||
Freud Upside Down: African American Literature and Psychoanalytic Culture. Urbana: U of Illinois P, 2010 |
||
Suzanne Bost |
Shared Selves: Latinx Memoir and Ethical Alternatives to Humanism. University of Illinois Press, September 2019. |
|
The Routledge Companion to Latino/a Literature, co-edited with Frances Aparicio. Routledge/Taylor & Francis, September 2012. |
||
Encarnación: Illness and Body Politics in Chicana Feminist Literature, Fordham UP, 2009. |
||
Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850-2000. The University of Georgia Press, January 2003; re-released in paperback, Fall 2005. |
||
Pamela L. Caughie |
Man into Woman: A Comparative Scholarly Edition, co-editor with Sabine Meyer. Bloomsbury Academic, 2020. |
|
Virginia Woolf Writing the World, co-editor with Diana L. Swanson. Clemson UP, 2015. |
|
|
Disciplining Modernism, edited and introduced. Palgrave/Macmillan, 2009. |
||
Virginia Woolf in the Age of Mechanical Reproduction, edited. Garland Publishing, 2000.
|
||
Passing and Pedagogy: The Dynamics of Responsibility. U of Illinois Press, 1999. |
||
David E. Chinitz |
The Complete Prose of T. S. Eliot, vol. 6: The War Years, 1940–1946 (ed.). Johns Hopkins UP, 2017. |
|
T.S. Eliot and the Cultural Divide. University of Chicago Press, 2003 |
||
As Editor, A Companion to T. S. Eliot, Wiley-Blackwell, 2009. |
||
Ian Cornelius |
Reconstructing Alliterative Verse: The Pursuit of a Medieval Meter. Cambridge University Press, 2017 |
|
Jack Cragwall |
Lake Methodism: Polite Literature and Popular Religion in England, 1780-1830. The Ohio State University Press, 2013. |
|
Jeffrey Glover |
Paper Sovereigns: Anglo-Native Treaties and the Law of Nations, 1604-1664. University of Pennsylvania Press, 2014. |
|
Colonial Mediascapes: Sensory Worlds of the Early Americas. Co-edited with Matt Cohen. University of Nebraska Press, 2014. |
||
John D. Kerkering |
Racial Rhapsody: The Aesthetics of Contemporary U.S. Identity, Routledge, 2019. |
|
The Poetics of National and Racial Identity in Nineteenth-Century American Literature, 2003. |
||
James A. Knapp |
Immateriality and Early Modern English Literature: Shakespeare, Donne, Herbert (Edinburgh University Press, 2020) |
|
Shakespeare and the Power of the Face (editor) (Ashgate, 2015) |
||
Image Ethics in Shakespeare and Spenser (Palgrave, 2011) |
||
Illustrating the Past in Early Modern England: The Representation of History in Printed Books. Ashgate, 2003. |
||
Jayme Stayer |
The Complete Prose of T. S. Eliot, vol. 6: The War Years, 1940–1946 (ed.). Johns Hopkins UP, 2017. |
|
. S. Eliot, France, and the Mind of Europe. Editor. Newcastle upon Tyne, UK: Cambridge Scholars, 2015 |
||
Think About It: Critical Skills for Academic Writing. Co-author with John Mauk and Karen Mauk. Boston, MA: Wadsworth/Cengage, 2014. |
||
Virginia Lee Strain |
Legal Reform in English Renaissance Literature. Edinburgh University Press, 2018. |
|
Marta L. Werner |
The Master Hours of Emily Dickinson. Amherst College Press, forthcoming. |
|
The Gorgeous Nothings. New York: Granary Books, 2012 / New Directions, 2013. |
||
Ordinary Mysteries: The Common Journal of Nathaniel and Sophia Hawthorne, co-authored/edited with Nicholas Lawrence. Philadelphia: The American Philosophical Society, 2006. |
||
Emily Dickinson’s Open Folios: Scenes of Reading, Surfaces of Writing. Ann Arbor: University of Michigan Press, 1995. |
||
Professors Emerita and Emeritus: |
||
James Biester |
Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry. Rhetoric and Society Series. Cornell University Press, 1997. |
|
J. Brooks Bouson |
Shame and the Aging Woman: Confronting and Resisting Ageism in Contemporary Women’s Writings. Palgrave Macmillan, 2016. |
|
Embodied Shame: Uncovering Female Shame in Contemporary Women’s Writings. SUNY Press, 2009. |
||
Jamaica Kincaid: Writing Memory, Writing Back to the Mother. SUNY Press, 2005. |
||
Quiet As It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison. SUNY Press, 2000. |
||
Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood. University of Massachusetts Press, 1993. |
||
Micael Clarke |
Thackeray and Women. Northern Illinois University Press, 1995. |
|
Francis L. Fennell |
The Collegiate English Handbook. 5th Edition. 2002.
|
|
Suzanne Gossett |
As Editor, Francis Beaumont and John Fletcher. Philaster. Arden Early Modern Drama series. Methuen Drama, 2009. |
|
As Editor, William Shakespeare. Pericles. The Arden Shakespeare. Third Series. Bloomsbury, 2004. |
||
Paul Jay
|
Contingency Blues: The Search for Foundations in American Criticism. UW Press, 1997. |
|
Joyce Wexler |
Violence Without God: The Rhetorical Despair of Twentieth-Century Writers. Bloomsbury Academic, 2016 |
|
Who Paid for Modernism? 1998. |